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KDHX supporters are raising funds and making plans for a rebirth of the station, but first they need a judge to reject a sale on Monday. KDHX leaders have said the only way to pay off its debts is through a sale of the station’s broadcast license and assets.
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As University of Missouri seniors graduated Sunday, The All-American Rejects played the latest in a series of pop-up shows they’ve been doing — at people’s houses.
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With its ongoing production of August Wilson’s “Radio Golf,” the Black Rep in St. Louis becomes the first theater company ever to produce all 10 plays in Wilson’s American Century Cycle twice. The show runs through June 1.
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The Carondelet Food Patch is looking for visual artists to design a mural at its community garden. The selected artist will receive $2,000 to complete the project.
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For years, a St. Louis band with an unlikely background has been making music inspired by monsters and death.
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Rolla High School students put the phrase “the show must go on” to the test as they attempt to recover from a tornado to stage the musical “Chicago.”
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“Alberta Hunter: Jazz, Sass, and Spice Live at the Cookery” is the latest play from a Call To Conscience. The one-woman show follows the life and career of blues and jazz singer Alberta Hunter.
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Leaders of the Muny will receive the 2025 Regional Theatre Tony Award when the annual awards are presented on June 8. The award is for a theater not located on Broadway that has been a national leader.
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City Foundry will open its main pedestrian thoroughfare to street performers for six Wednesdays, beginning May 21.
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Patricia Racette, a soprano and stage director with a long resume, will be the next artistic director for Opera Theatre of St. Louis. Racette is currently artistic director of Opera Theatre’s programs for young artists.
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St. Louis Symphony Orchestra is collaborating with adapter Bill Barclay on a reimagined take on Henrik Ibsen’s 1867 play “Peer Gynt” and composer Edvard Grieg’s iconic score, which includes some of the most well-known music in the world.
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Nancy Kranzberg looks at the role of New Orleans to the development and continuation of jazz music as well as a number of St. Louis connections.