Cut & Paste
Hosted by Jeremy D. Goodwin, Cut & Paste arts and culture podcast brings you in-depth conversations with artists and cultural drivers. Listeners will hear from artists about their work and why it matters, and also about who they are and how their own personal experiences shape their art-making.
Latest Episodes
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St. Louis designer Antionette Carroll doesn’t know what might resolve thorny and multi-faceted problems like racism, stereotypical thinking and… -
A new $5 million donation will help the Missouri History Museum collect and exhibit St. Louis’ African-American history. But not everyone trusts a large,… -
Having a conversation with Stan Chisholm is like looking through a kaleidoscope.He seems somber and provocative. Then suddenly there’s a turn; oh wait,… -
What if you held a pub crawl but replaced the alcohol with art?You’d have the Contemporary Art Museum’s Open Studios Tour. Or at least one of the many… -
In a post-apocalyptic world, what do you have in common with the other survivors? Finding food? Making fire?Doh! It’s your love of “The Simpsons” show, of… -
He’s a two-time Kevin Kline Award-winner, and a well-known star of the Muny’s “Buddy: The Buddy Holly Story" and numerous Stages St. Louis shows including… -
When new Regional Arts Commission (RAC) executive director Felicia Shaw realized her job at a San Diego foundation might be eliminated, she wondered what… -
For the past year, a tragic and powerful muse has fed the energy and work of St. Louis-area artists.The shooting death of Michael Brown and the unpeeling… -
A clown, a poet, two children and two newscasters walk … onto a stage.It’s not a joke (although it has jokes). It’s a play called “This Is Not Funny,” by… -
A year of unrest and turmoil has yielded the beginnings of change in St. Louis — along with a whole lot of questions.How do we untangle the deep, gnarly… -
When William Morris was growing up in St. Louis in the 1970s, his mother was close behind with her Super 8 camera.Much later, Morris stumbled upon some of… -
"Uppity" is a word with a history of keeping women and minorities "in their place." But when Joan Lipkin named her theater company in 1989, she showed…
