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Composer Christopher Stark teamed with innovative cello-percussion group New Morse Code for “The Language of Landscapes,” a piece that melds field recordings from nature with sounds wrung out of discarded items like plastic bags. The album includes remixes by St. Louis artists Mvstermind and Adult Fur.
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There’s still time to improve your end-of-year streaming playlist.
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Choreographer and art-maker Brendan Fernandes has devised “In Two” for four dancers moving throughout the Pulitzer Arts Foundation’s major exhibition of Scott Burton’s sculpture.
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The inspiration for 2024’s Dances of India performance is the ancient Indian epic, the Mahabharata.
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Graham Nash is touring behind his first solo album in seven years. After the breakup of Crosby, Stills and Nash, he sees renewed relevance in his classic songs and expresses a sense of renewed purpose in his latest work.
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Bob Putnam spent decades making room for people to share art of all kinds in St. Louis, especially at the iconic Way Out Club.
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Sarah Silverman is long accustomed to finding unlikely laughs in weighty topics like illness and the Holocaust. She’ll debut “Postmortem,” a stand-up show inspired by the death of her parents, at the Stifel Theatre on Thursday.
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St. Louis Symphony’s Jack C. Taylor Music Center will encompass a renovated Powell Hall plus new facilities including an education center and rehearsal spaces. SLSO will resume concerts at its longtime home in September 2025.
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Jane’s Addiction will not perform at the music festival next weekend. Another headliner, Blondie, dropped its tour in July.
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Headliners at Music at the Intersection include genre-busting jazz phenom Esperanza Spalding. The festival will take over Grand Center this weekend.