Pulitzer Arts Foundation

Choreographer and art-maker Brendan Fernandes has devised “In Two” for four dancers moving throughout the Pulitzer Arts Foundation’s major exhibition of Scott Burton’s sculpture.

Delcy Morelos’s exhibition “Interwoven” at Pulitzer Arts Foundation offers a rare chance to follow the threads that tie together the Colombian artist’s deeply felt work. Its centerpiece includes three tons of St. Louis soil and buckets of red brick dust.

The Pulitzer Foundation’s Urban Archaeology exhibition notes the red brick heritage of St. Louis and explores how the city's architecture reflects its social and political history.

“Confluences,” an exhibition of Faye Heavyshield’s work at the Pulitzer Arts Foundation, includes new pieces that reflect on Cahokia Mounds and the confluence of the Missouri and Mississippi rivers.

The former church on North Spring Street in St. Louis has attracted visitors since a 2001 fire left it as a stone shell. The Pulitzer Arts Foundation aims to fix it up but keep its character intact.

Composer and vocalist Annika Socolofsky recasts old folks songs into demands for queer acceptance and female empowerment.

“Assembly Required” includes work by artists from around the world who directly involve viewers in the creation of meaning.

The Pulitzer Arts Foundation’s new exhibit “Assembly Required” plays with the dual meaning of “assembly,” contemplating social movements as well as asking viewers to engage with and even finish the artwork on display.

"Wayfinding," an exhibition of public art by Chloë Bass near the Pulitzer Arts Foundation, seeks to provoke private thoughts in public spaces. Visitors are invited to contemplate 32 signs posted near the museum.

Des Moines-based social and environmental justice art activist Jordan Weber uses sculptures, installations and green spaces to focus on institutional and environmental racism. Weber spoke to St. Louis Public Radio’s Chad Davis to discuss his latest project and how his work fuses art and activism.